What distinguishes an exemplary photobook from a book that may be merely a collection of fine photographs, is an element that makes it more than the sum of its parts. Think of the classic books, from Robert Frank to Minor White to John Wood to Lee Friedlander, and there is always a poetic structure, however subtle, that defines them. In the case of Lauren Henkin’s Displaced, it is the compelling evocation of loss, captured memory and regeneration that raises this book to a higher plane. Individually, the photos are often arrestingly beautiful; collectively, they become an eloquent autobiography.
The prints are beautifully made, and the selection, layout, pacing and narrative all impeccable. Technically, there is little here to criticize. The binding, by John DeMerritt, reinforces his already formidable reputation for sensitive treatment of photographic material.
Jack Kerouac, in the midst of his chatter, was occasionally given to aphorism, and this is one: “Accept loss forever.” Displaced is the illustration of an attempt to come to terms with the meaning of that profound exhortation. Two short essays by the artist place this work in its specific personal context. The writing is heartfelt, sad, courageous and informative, but not necessary. The pictures say it all.
Steve Woodall
Great review, and well deserved praise, I must say. I hope that it will be a commercial success for you to the same extent that it is an artistic success.
What a truly wonderful review! Loss is such a universal, but yet unique human experience and your courage in sharing your words and images enriches us all.