Archive for the ‘Artist Talks/Lectures’ Category

Falling for the QR

While I have quite a bit to write about how I designed my last show at Newspace, I must admit that there was so much thought and planning, that I’m not really sure where to start. So, I thought I would write about a small piece that seemed to be new and successful.

I love going to artist talks. I love hearing an artist talk about their work, their process and inspiration. Some feel that images should speak for themselves, without the need for explanation. While I agree that it shouldn’t be necessary, it has only enhanced the viewing process for me when I’m in a large museum for instance and looking at abstract paintings or sculpture and feeling like I’m completely missing out. A curator’s guidance, tour, or translation often can transform viewing a show from frustration and even feeling left out, to making some long-lasting connection with an artist’s work. Because this latest series was more conceptual and demanded more from the viewer than in past series, I felt like I needed to offer a lifeline. So, I recorded an audio tour for the show which I’ve been told was listened to and greatly appreciated.

The question was how to incorporate the audio with the actual experience of viewing. Would I provide a cd, or some kind of download that people could prepare on a listening device before coming to the show? I eventually settled on incorporating a QR code into the title/specification sheet that I had letterpress printed locally. The QR code would enable anyone with a smart phone to use audio as an accompaniment to the visual. I wasn’t sure that a QR code (which you can find mostly on direct mailers) would actually work with letterpress printing. The artists I worked with to produce the pieces, Meegan Keegan didn’t know either. They were willing to experiment and discovered that it would and did work and ended up writing about it on their blog which you can visit by clicking here.

Here are images of how the card turned out (courtesy of Meegan Keegan):

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

© Meegan Keegan.

I also used a QR code on one of the project statements for a body of work titled The Lines Between Us, photographs taken on the various cross-country train rides I’ve taken over the last 4 years. The cinematic quality of my work is growing, and for this series, I wanted to incorporate a piece of music to the experience of viewing this wall of images (seen below printed on the project statement).

© Lauren Henkin. The Lines Between Us.

© Lauren Henkin. The Lines Between Us.

To create a QR code, you can go to numerous sites that will ask for the web address, text or even e-mail address you want the code to link to. There are sites (like this one) that even will create a vector .eps file so you can enlarge the code to the size you want in Adobe Illustrator.

I think, like anything, the QR code needs to be used in moderation, and appropriately. That said, I think it’s a great tool for connecting with your viewers and integrating new technologies with old ones.

Happy QRing!

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New Show, New Work & Peace

So sorry to have been absent from the blog of late. I’ve been preparing frantically for a huge show coming up at Newspace Center for Photography here in Portland. For those of you outside of Portland, Newspace has recently expanded and doubled the size of their gallery space. They have been generous enough to offer me the entire gallery for my show and I have been working to figure out what I want to show in each space and how to show it. SO, please forgive my silence over the next few weeks as I prepare.

I hope you’ll mark your calendars for the opening and artist talk i will be giving in early September. The details are below.

Newspace Show
Show dates: September 2 – October 2
Opening: Friday, September 2, 6-9pm
Artist Talk: Saturday, September 3, 1pm

I will be showing a few new bodies of work, the largest of which, Growth, I will explain in coming posts. This work was started in 2009 and is an ongoing series.

In the meantime, I’ll leave you with one of Wendell Berry’s Window Poems I recently enjoyed:

Peace. May he waken
not too late from his wraths
to find his window still
clear in its wall, and the world
there. Within things
there is peace, and at the end
of things. It is the mind
turned away from the world
that turns against it.
The armed presidents stand
on deadly islands in the air,
overshadowing the crops.
Peace. Let men, who cannot be brothers
to themselves, be brothers
to mulleins and daisies
that have learned to live on the earth.
Let them understand the pride
of sycamores and thrushes
that receive the light gladly, and do not
think to illuminate themselves.
Let them know that the foxes and the owls
are joyous in their lives,
and their gayety is praise to the heavens,
and they do not raven with their minds.
In the night the devourer,
and in the morning all things
find the light a comfort.
Peace. The earth turns
against all living, in the end.
And when mind has not outraged
itself against its nature,
they die and become the place
they lived in. Peace to the bones
that walk in the sun toward death,
for they will come to it soon enough.
Let the phoebes return in spring
and build their nest of moss
in the porch rafters,
and in autumn let them depart.
Let the garden be planted,
and let the frost come.
Peace to the porch and the garden.
Peace to the man in the window.

© Lauren Henkin. All rights reserved.

© Lauren Henkin. All rights reserved.

Peace to you all, and thank you all for your support. Hope to see you in September.

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Photolucida 2011 Day 1

I just got home from the first full day of reviews and events at Photolucida 2011. The day was filled with giving reviews, networking, interviews, checking out the Indie Photobook Library, and the wonderful Portfolio Walk at the Portland Art Museum.

I have a slightly different take on this event compared to the one in 2009. In 2009, I was here as a reviewee, it was my first review event. I felt much more relaxed here as a member of the Board, and as an interviewer for Photo Radio. I’ve completed 6 of the 10 interviews I scheduled for Photo Radio. So far, I’ve talked with Melanie McWhorter of photo-eye, David Bram of Fraction Magazine, Susan Spiritus of the Susan Spiritus Gallery, Aline Smithson, a photographer and of Lenscratch fame, Cat Gwynn, a photographer from Los Angeles, and Kirk Crippens, another photographer from the San Francisco area. Tomorrow, I’m scheduled to talk to Chris Churchill, who has a wonderful series American Faith and Kevin Miller, the Curator for the Southeast Museum of Photography.

I’m exhausted.

And I still have to go over my notes for my talk on Saturday which I’m a little afraid of.

I have to say I think the quality of the work I’ve seen has been very high and while I wish I was participating in the actual reviews like my fellow artists, I feel like it was a wise decision to sit this one out. I’ve just started on a new long term project that has me very excited and I can see the value in waiting until a body of work is much more developed before showing it to this crowd.

I’ve had some wonderful conversations with photographers and reviewers here so far… I met Tami Bone, who immediately told me how much she loves my blog (which rarely happens, most of the time I wonder if anyone is reading this); I spent a long time talking with Elisabeth Sunday, whose work I have admired for some time ever since I saw her beautiful prints in Gallery 291 in San Francisco a year ago; I spent a long time talking with my good friend Kirk Crippens who, like me, struggles with the balance of making a living and making art; Jon Edwards whose beautiful prints of Maine have haunted me; and Brooks Jensen of LensWork, who shared some nice thoughts and encouragement on bookmaking (and selling).

Tomorrow will be spent talking with more photographers, doing interviews, and a lunchtime chat with Julie Blackmon. The day will end with a lecture from Todd Hido whom I met tonight, he was very friendly and seemed really excited to be a part of Photolucida. I still need to meet up with Jeri Eisenberg (I met Jeri here in 2009), I’d like to get to know Rachel Barrett and get a better look at Louie Palu’s prints.

Oh, and it’s HIGH-DOE, not HEE-DOE.

more later…

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Presenting Displaced at Codex 2011

Here’s a quick video of me presenting my work to Suzanne Ahearne of the Fine Press Book Association. If you are producing books and are not a member of this organization, please consider joining. They do wonderful work for those of us trying to spread the word about fine press publishing. They’re also publishing a review of Displaced in the upcoming Fall issue. Thanks Suzanne!

Lauren Henkin at Codex from Suzanne Ahearne on Vimeo.

More soon…

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photo radio: nw territory – women in photography

I was extremely honored to participate this past Saturday in a panel discussion with eight other women that was moderated by Julia Dolan, Curator of Photography for the Portland Art Museum. The discussion was part of the Society for Photographic Education NW Conference, a few days packed with interesting and informative talks held at Newspace Center for Photography in Portland, Oregon. Being relatively new to Portland, it was a wonderful opportunity to meet these talented artists and to also understand their perspectives on the Northwest and what their experiences have been as photographers working here.

Thank you so much to Newspace Center for Photography for hosting this event, to Julia Dolan, for moderating and providing such interesting topics of discussion, and Photolucida for sponsoring.

You can listen to the audio by going to my Photo Radio blog (www.photoradioblog.com).

I will be posting more on the conference shortly…

Enjoy.

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